Monday 9 July 2012

The Song of the Silent Prophet

Hello. Tonight is the last night of the play what I'm in; it's in The Courtyard Theatre, Shoreditch, and I'm sure you can still buy tickets on the door if you particularly want. The play tries (valiantly, I think) to make a feminist point and this poem is the basis of the lyrics to the last song of the play and tries to drive home said point. The myth on which the poem is based is that of Apollo and Cassandra and I'd like to share it with you. It goes thusly:


The Song of the Silent Prophet

Women, as I’m sure you know by now, are objects;
Objects to be bought and traded, pawed at and paraded,
Loaned and hired and at their most ideal, objects of desire.
Women have no voice – why would they need one?
They only need to stay where they’re put and when they’re called, to come.
One such object, a princess of Troy was put in a temple as decoration,
An ornament for mighty Apollo’s sordid delectation.
The petulant god wanted more than just to see her
He needed to own her – it was his right he was owed this prize
She got no say – why would she want one?
She should be honoured to have been chosen.
When she said yes, as doubtless she would,
He’d gift her with unseen sight -
A prize he knew she’d like.
Gods have very good taste.
But in his haste he failed to see
That his charms were not as sweet as he believed
And she said no.
To a god.
To a man.
And in his pique he sought to wreak
A terrible curse to bind her to tragedy
To put her in her place.
He took the gift and twisted it, made it grotesque;
Prophetic joys still filled her mind
But in place of hope-filled ecstasies
Her mind recoiled from haunting shades
There was no respite – why should she get one?
She tried to warn her kith and kin of all the nightmares she had seen
But they mocked her and ignored her and said her daydreams bored them.
Apollo in his gleeful spite had hid her truth from others’ sight
Until her own doom loomed before her
Not one man would heed her warnings.
He needn’t have bothered;
What sane man would have listened to her?
To a woman?
To a slave?
To an object?


One hopes you're well,
yours,
ADWoodward

Tuesday 3 July 2012

The Ballad of Clytemnestra

Hello. At the moment I am in a very interesting play. It's about a son trying to free himself from the attentions of the furies - spirits of vengeance - who are haunting him because he killed his mother because she killed his father killed their daughter. Also the daughter kills the wife's new lover, but that's okay because no one likes him. It's on 7th, 8th & 9th of July at the courtyard theatre and if you'd like you can buy tickets for it here: http://www.thecourtyard.org.uk/whatson/261/the-women-screaming-beyond. I wouldn't be so vulgar as to use the sacred space of my blog just to be a commercial whore. I do have a thing for you to read as well. The play uses songs to do what choral odes did in Greek tragedy. I wrote poems which, with a little bit of tweaking by people who actually know something about music, became the lyrics for these songs. I would like to share one of these with you. This one is the ghost of the mother exhorting the furies to do their job and it goes thusly:


The Ballad of Clytemnestra

Hello there, Furies, how are you? I’ve been trapped down in the gloom
But I thought I’d come and ask you why - despite the solemn task that I
Gave you when I made you from rage and hatred -
Why is my son still breathing?
I wondered what was keeping you
And now I find you sleeping, you
Useless, idle twerps.
Don’t you know how I suffer?
But it’s not enough for you to just delay
No! You have to while away the day
While that matricidal little shit
Of a son of mine commits
His crime and spends his time
Changing the wallpaper in MY throne room
While I’m stuck, as I said, down in Hades’ gloom
Being snidely mocked by the shades of mediocre cocks.
So I thought I’d tell you
Why I swiftly sent you
To give me some peace at last.
I won’t let that weapon-wielding arse,
Agamemnon be vindicated in infanticide
Or let the git decide to put his brother’s wife before his own.
You lay there with your dreaming
When you should turn your minds to scheming
On how to give me one thing at which I won.
From the outset I was second-best
Like when Zeus came down to test
His pimping skills on our mother
And the Olympian begat
Another squalling brat
Whose life was heaven-blessed
While I, of mortal seed, was left
In Helen’s whorish shadow.
Every king and every prince of every place in Greece
Wanted her to have a piece
Of them inside of her
And maybe make a bride of her.
I was second-prize.
So just for once in my wretched life
Can’t things turn out as I wanted?
I want Orestes to be haunted
But you just had to have a nap!
I will not take this crap!
So stand up, get in line!
You’re my furies! Mine!
It was my rage that called you back
From slumber underneath the earth
My screams that gave you birth
And still I find you snoring!
You lazy, useless, slothful, toothless,
Awful, hopeless, gruesome, loathsome
Pathetic excuses for a spirit of vengeance,
I demand you find my son and make him pay
But most of all I’d like to say:
WAKE UP, YOU IDLE FUCKING CUNTS!



One hopes you're well,
yrs,
ADWoodward